still

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These works were part of my research during my MA course at UAL Camberwell college of Arts, The research was based on exploring the spacial and aesthetical conditions where 2 dimensional works of art, may offer a more reciprocal experience to the viewer. In order to do so, I examined printmaking and I considered the paper as part of the artwork, instead of a surface that an image will be printed on.
 
I made a series of screenprints and linocuts where I used the idea of the Chinese philosophy of the void in order to create events that take place in both the printed and clear areas. By events, I mean the relationship between something that is visually empty and visually full, not as a contrast but as an interactive condition where existence and non-existence can coexist. 

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